Train to Okinawa
Riley Kōho Lee
Riley Lee - RLPGCD01
2000
Дорожка | Название | Кандзи | Длина | Исполнитель | |
1 | Romchay | 05'58 |
Сякухати: Riley Kōho Lee | ||
After many hours of playing sparse, meditative music together, it was time for something 'rich, romantic and cello-like'. Half an hour later, Peter had composed a theme which, with an improvised part on the shakuhachi floating above it, forms the opening and closing sections of this piece. The middle section, based loosely on the theme, is an entirely improvised duet variation, reminiscent of European baroque counterpoint. | |||||
2 | Requiem Six Twenty | 05'35 |
Сякухати: Riley Kōho Lee | ||
The lush, cavernous acoustic quality of the Australian Broadcasting Corporation's Perth orchestral studio, '620' made it a pleasure to record this music there. The building, however, is soon to be bulldozed as the ABC moves to smaller premises, due to Government cost-cutting. This piece was named as a reminder of almost 40 years of musical and technical excellence associated with this studio. The shakuhachi part is Riley's arrangement of the piece "Tamuke" (offering, or prayer) from the Zen Buddhist repertoire. It is traditionally performed as a prayer for the safe passage of one who has recently departed from this life. Peter composed the cello part. | |||||
3 | Train to Okinawa | 07'25 |
Сякухати: Riley Kōho Lee | ||
The melody of "Train to Okinawa" uses a five-note scale commonly heard in traditional Okinawan music. The islands of Okinawa once formed an independent country with its own culture, including language, music and dance. It is impossible to return to those times, just as it is impossible to catch a train to Okinawa, even a train as slow as this one. | |||||
4 | Yinjarrah | 06'52 |
Сякухати: Riley Kōho Lee | ||
'Yin' is the name given to the Japanese scale used in the piece, and 'jarrah' is one of the best known native forest trees in south-western Australia, where these recordings were made. | |||||
5 | Portrait | 14'49 |
Сякухати: Riley Kōho Lee | ||
Not a portrait of Dorian Grayling, but rather, a spontaneous piece in the dorian mode. Over a single-note drone on the cello, the theme slowly unfolds with extensive, freely improvised variations, including a celtic excursion. | |||||
6 | Iberia | 07'03 |
Сякухати: Riley Kōho Lee | ||
Using a scale commonly heard in flamenco, this piece is based on El Sueno (The Dream), by Andy Rigby and Riley Lee for harp and shakuhachi on the CD "Nalu". Peter composed a pizzicato accompaniment to Riley's new arrangement of the melodic line. | |||||
7 | Lullaby | 03'53 |
Сякухати: Riley Kōho Lee | ||
Riley composed the shakuhachi part a number of years ago and refined it while working with Peter, who created the cello part. It is a simple melody which a mother might create on the spot, almost unconsciously, humming her baby to sleep. |