Daha
打波
[ジャンル] | 本曲 |
[流派] | Dokyoku / Chikushinkai |
発祥 (田嶋 直士):
Known as Pounding Drum Piece the title conveys the incessant strivings involved in spiritual practice. The fast tempo and forceful breathing is said to indicate manifestations of the mind under strict discipline. |
打波 は下記のアルバムに収録されています
アルバム | アーティスト | |
Bamboo In Zen |
尺八 : Alcvin Ryuzen Ramos | |
Empty Sky - Yearning for the Bell Volume 3 |
尺八 : 皇保 | |
Daha / Pounding Wave is a prayer for the will power or determination to achieve one's highest aspirations. There are times when strong, intense, and unyielding determinations, like the ocean waves pounding at the cliff face, is appropriate. Other times, gentle, patient and unceasing will power, like the quiet waves lapping at the base of the cliff, gives better results. This piece reflects both the Yin and the Yang of will power.
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Floating Clouds |
尺八 : Michael Chikuzen Gould | |
A steady, pulsating rhythm is produced by the breath to imitate the natural sound of waves striking the shore as the tide comes in. Another explanation is that the will tries to transcend the realm of the material world, and its ambitions and desires are reflected through this pulsation.
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Home is Now |
尺八 : Horacio Curti | |
In Dead Earnest Part 2 |
尺八 : 石川 利光 | |
Japan - Splendour of the Shakuhachi |
尺八 : 岡田道明 | |
The origin of this piece is unclear, but it is usually interpreted as meaning da-to strike, and ha-to tear or break. According to this interpretation the objective of this piece is that all of the desires or worries of the common people will be overcome, and nothingness and all-ness will be transcended to reach a natural state of resignation. The five part form of this piece is A-B-A1-B-C. The techniques used in this work which make it diverse are an intricate smoothness in the sound and delicate movement. | ||
Japanese Bamboo Flute |
尺八 : Richard Stagg | |
Japanese Traditional Shakuhachi |
尺八 : 横山 勝也 | |
Origin unknown. Shirabe (melody) by a mendicant priest standing at a crossroads.
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Japon |
尺八 : 横山 勝也 | |
Breaking of Waves Just as that of Koku, this term has a spiritual resonance: the breaking of waves signifies the will to break all desires of terrestrial life in order to attain the state of Sunyata. This force of will is manifested by the rapidity of the movement and by the forceful attack together with the sound of the breathing. | ||
Katsuya Yokoyama Plays Shakuhachi - 2 |
尺八 : 横山 勝也 | |
Poeme du Bambou |
尺八 : Marco Lienhard | |
Sea Drift |
尺八 : 皇保 | |
Shika no Tone Shakuhachi Koten Meikyoku Shusei - 2 |
尺八 : 横山 勝也 | |
This piece has the purpose of representing self-discipline. A very fast tempo and violent breathing indicate the manifestations of the mind under strict discipline.
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Shingetsu |
尺八 : 田嶋 直士 | |
Known as Pounding Drum Piece the title conveys the incessant strivings involved in spiritual practice. The fast tempo and forceful breathing is said to indicate manifestations of the mind under strict discipline.
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Sokkan |
尺八 : 谷口嘉信 | |
The Japanese characters used in writing this title are "utsu" ("to strike") and "nami" ("wave") which represent a continuous pulse expressing persistence. The aim or objective in playing this song is to rid oneself of greed, desire and ambition (bad intention). The word "uchi" of "uchi yaburu" comes from the word "ustu". This means to break through the habit of thinking only in a dualistic manner confined to subject and object. "1 (subject) live in this world (object)" is a habitual way of thinking that is born when one is very young and the brain's "gears of duality" begin turning. These opposites of up/down, left/right and in/out are the cubic building blocks of the material world that this mind perceives. It is a quantitative world, thus, the mind creates desires. I want to be big, bigger, biggest and sound loud, louder loudest, etc. One must break through this conditioned way of thinking and existing with the logical mind to experience oneself and the cosmos in a wholesome spiritual manner. The technique of komibuki used here helps one to stay focused and in the moment. It is the persistence of will power that is needed to get beyond unnecessary boundaries. | ||
Tajima Tadashi Shakuhachi no Sekai I |
尺八 : 田嶋 直士 | |
Take Ippon II |
尺八 : 横山 勝也 | |
Origin unknown. Shirabe (melody) by a mendicant priest standing at a crossroads.
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The Voice of Bamboo |
尺八 : Steven Casano 尺八 : 光竹 | |
Zen - Katsuya Yokoyama - 02 |
尺八 : 横山 勝也 | |
This piece has the purpose of representing self-discipline. A very fast tempo and violent breathing indicate the manifestations of the mind under strict discipline.
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